Special Exhibition | current
4 November 2017 – 14 October 2018:
BLUMEN. FLOWERS. FLEURS
Flowers never go out of fashion. They have always inspired artists as well as observers. Floral patterns and motives accompany and beautify our everyday lives.
Their diverse shapes and colours are infinite, and keep inspiring the designs of new patterns to suit the most recent tastes.
"Blumen. Flowers. Fleurs" combines more than 200 exhibits from own collections, illustrating the richness of floral motives and patterns in arts and craft as well as design. In addition to flowers painted on Meissen porcelain, forget-me-not and roses on Biedermeier cups, elegant floral branches, decorative poppy and winding water lilies on glass, metal and ceramics by Emile Gallé and other Art Nouveau artists are presented here.
Vine and flower patterns appear on dishes from the 1930s as well as in the bright floral patterns brought to the coffee tables of the 1970s by companies from Melitta to Rosenthal.
Until 1 January 2018:
GOD'S WORK AND WORD IN SIGHT
Art in the context of the Reformation
Presentation within the permanent exhibition
The permanent exhibition "Antiquity to Historicism" separately explores objects referring to the Reformation and the age of confessionalisation through a guidance system that brings them to the visitor's attention. An accompanying publication explains the approximately 30 exhibits – sculptures, gold work, ceramics, objects of pewter, coins and medals – in more detail and presents them with images.
Further objects from the inventory, in particular prints and books, are also added temporarily to the permanent exhibition.
Special Exhibition | preview
23 November 2017 – 6 May 2018:
Jasper Morrison (London, *1959) is renowned around the world as a product designer. He cooperates with internationally popular companies such as Alessi, Cappellini, Muji or Vitra. The exhibition is Morrison's first retrospective in the world, combining key moments from the designer's career of 35 years to date. Chairs, armchairs, drinking glasses, lamps, shoes or adhesive tape: Morrison has no limits to his work in matters and implementation of design. The exhibition is based on simplicity, which mostly refers to the objects' effect rather than their design implementation.
The "supernormal" aspects are his creative basis and at the same time his demand of himself as a designer. The restrained design enables Morrison to achieve minimalist results at the highest demands to his design. In his objects, shape moves into the background to the benefit of successful function. His exhibition shows furniture, kitchen objects and household appliances in chronological sequence. Archive and picture material supplement the presenta-tion and offer insights into different sections of time.
23 November 2017 – 6 May 2018:
With this special exhibition, the museum presents an important collection that has nevertheless only seen little attention to date: European faience work from many different manufactures and countries from the 17th to the late 19th century.
The inventory of the faience museum is extraordinary in its scope and high quality. The museum has collected faience works since it was founded in 1874, its collection growing to the current inventory of approx. 500 sets of tableware and approx. 240 tiles from nearly all the manufactures that were relevant in the 17th and 18th centuries. As recently as in 2014, the museum received a collection of 55 French faience objects from the couple Lena and Dr. Jürgen Wittstock, Marburg as a gift.
Some information about the museum
Grassi Museum, an impressive building complex in Art-Deco style, houses three museums of domestic and international significance: the Museum of Applied Art, the Museum of Ethnology and the Museum of Music instruments. At the center of attraction in the three museums are their respective new feature of permanent exhibitions and alternating special exhibitions. The centerpiece of Grassi Museum is the Art Deco column hall.